BEST SELLER

voicing: SA(T)B | catalog number: SBMP 1338 | duration: 4:10 | price: $3.00
accompaniment: piano, djembe
Accompaniment Track: piano part - FREE Download
Instrument Part: djembe part - FREE Download
Other Voicings: SA, SAB, SSAA, TBB, 2 Part Mixed, Unison

Ever clever, composer Narverud came up with a highly rhythmic celebratory composition. The title translates “We are one”, the theme being that all human beings have much in common. The energetic djembe sets the tone, the piano adds its own rhythmic design, and the singers deliver the message, at times sounding as though there should be a campfire at the center of their circle. This BEST SELLER is great fun, a profound message, and an intriguing piece. See composer notes below for pronunciation.


performance by: Studio Demo Recording - Jamey Ray, Producer (includes proper pronunciation) [© all rights reserved]

CLICK HERE: See and Hear the Complete Score or download a perusal copy: HERE

CLICK HERE: Read the Text or Poem

We all laugh, we all cry, we all feel hunger, we all feel pain.
We all love, we all hate, we all hope, and we all dream.
We are one world, one people. And we all breathe the same.
A tribe of many languages, a group of many heartaches,
fighting for peace among the land.
Heja, heja, sisi ni moja. Heja, heja, we are one.

We all want, we all need, we all seek passion, we all seek joy.
We all bruise, we all scar, we all fail, but learn to thrive.
We are one world, one people. And we all breathe the same.
In the darkness of the night and in the glory of the morning,
we walk along the path and find our way.

Now we stand here together and lift our hearts in song
to the rhythm of this moment in our lives:
Heja, heja, sisi ni moja. Heja, heja, we are one.

Jacob Narverud

CLICK HERE: Choral Tracks (Practice made simple)

Sisi ni moja (We Are One) choral track bundle contains a part dominant track for each voice part, a balanced voices track, and an accompaniment track if the work is not a cappella (the accompaniment is also included with the part dominant and balanced voices track). Get more information and listen to samples HERE. Please note that the choral score is not included in the bundle and needs to be ordered separately.

Price: $49.99 (Each bundle is licensed to be used by up to 50 users)
Please adjust the quantity accordingly if you have more than 50 users.

CLICK HERE: Jacob Narverud performance notes

The original voicing of Sisi ni moja was commissioned in 2015 for the Michigan State University Children & Youth Choirs by their director, Kyle Zeuch, to celebrate unity and community through cultures. This piece was written specifically for their world-music concert theme, “We are One.” It was requested to be similar in style to my arrangement of the Kenyan song “Jambo,” and was commissioned by the director for SA(T)B choir, piano, and djembe. The SA voicing was written two years later (2017) for the Lawrence Children’s Choir in Kansas, Carolyn Welch, Director, and a TBB voicing was requested by the publisher later that same year.

I wanted to create an uplifting, hopeful song that had a modern, popular-style vibe and dealt with the choir’s theme of unity and one-ness. Since the piece was intended to represent all people and all cultures, I sought to write a text that would reflect just that. I was teaching high school at the time, and a student in one of my choirs was from Kenya. I asked her to assist me with a Swahili phrase that I could combine with a new original text, which would translate specifically to “We are One.” Though not a common Swahili phrase, we came up with “Sisi ni moja,” pronounced “Moh-Jah” with a hard “J”. “Heja” (pronounced “hey-yah”) is a non-word with no literal meaning, and does not represent any specific culture. It is given a more instrumental treatment in the chorus, acting as a joyful, declamatory backdrop to the song’s message of unity. This “celebratory chant” mirrors the piano and djembe’s heavy rhythmic influence, energizing and driving the song forward.

When I wrote Sisi Ni Moja I specifically chose chord progressions that would be familiar to the ear of both the audience and the singers performing. These popular music chord progressions, coupled with the speech driven rhythms and repetition in the piano, allow listeners to feel an instant connection to the music and focus on the message of the text.

-Jacob Narverud (2018)

This score is available in Printed or ePrint format at checkout (More Information)

Reviews | submit review

"My choir used this at the end of the year, and it turned out amazing! Thank you :)"
review by: Dr. Hannah Knauss, DMA, Philadelphia, PA - Interboro High School

"This was going to be one of the songs we sang in our year end concert. Now the choirs are learning it online and we are rehearsing virtually. The words mean more today than ever before. My students love to sing it. Thanks you, "
review by: Leah Corcoran, Forney, TX - Warren MS Choir

"This is my choir's favorite song of the season. It's the perfect addition to our concert with what's going on in the world."
review by: Julie Sutton, Denver, CO -

Featured on the following reading sessions
2023 | Eastern - NYSSMA Zone 7 Area All-State Music Conference AAS Secondary Choral Reading Session Reading Session
2023 | MSVMA Summer Conference Reading Session
2022 | North Central - 2022 ACDA of Minnesota Summer Dialogue Student Conductor Reading Session Reading Session
2021 | Florida ACDA Fall Conference - Oct 28-30
2020 | CO MEA Elementary Reading Session - January 22-25
2020 | NJMEA Conference - February 20
2019 | SD ACDA Mid-Winter Conference, Jan 19, Don Langlie
2019 | University of Nebraska Omaha Middle School Honor Choir, January 18, 2019
2019 | Nebraska Honor Choir in Omaha, January 11, 2019
2019 | 2018 AVA Fall Workshop
2019 | CA MEA Bay Section Winter Conference
2019 | Texas Conference Choir Clinic (TCCC)
2019 | Maryland/DC ACDA Conference - October 19
2019 | TN Collegiate NAfME Kick Off Reading Session - September 28
2019 | South Carolina MEA Reading Session Feb 7-9 - Dr. Sharon A. Hansen, clinician
2018 | IL ACDA summer retreat 6/27-28
2018 | Mass ACDA reading sessions 7/17-19
2018 | Spectrum Reading session, June 23
2018 | AMIS F18 conference Madrid, Spain 11/2-3/18
2018 | NHMEA Fall Conference Reading Session, 10/25/18
2018 | Northeast Prof. Educator's Newtork Fall Arts Conf. 11/6/2018
2018 | FVA Summer Conference 7/27/18
2018 | San Jose State Choral Workshop July 16th
2018 | Iowa ACDA Summer Symposium July 23-26
2018 | Western ACDA Session 3/15
2018 | CASMEC Reading Session, Jenny Bent & Angel Vazquez-Ramos
2018 | Dorian Vocal Festival - Luther College, Decorah, IA - 1/15
2018 | Mayla Vocal Workshop July 2018
2017 | IMEA Choral Reading Session - January
2017 | Nevada Choral Directors Association Fall Workshop
2017 | ACDA Student Symposium Reading Session, 10/12
2017 | KY ACDA Summer Reading Session
2017 | ILMEA District 7 Reading Session 11/11
2016 | Rodney Eichenberger Choral Conducting Workshop - Seaside, OR - July 25-29
2016 | University of Michigan Summer Symposium June 20-24
2016 | KCDA Reading Sessions, Topeka, KS, July 7-9
2016 | Unitarian Universalist Musicians Network Annual National Conference July 20-24
2016 | Michigan State VMA Summer Workshop in Lansing, MI August 3-5
2016 | Long & McQuade Ltd Reading Sessions
2016 | Stanton's Sheet Music Summer Reading Session
2016 | Iowa MEA Convention at Iowa State University in Ames on Nov 17-19
2016 | SATB Project Music Festival November 5th
2016 | Rodney Eichenberger Choral Conducting Workshop - Alexandria, VA July 11-15